Theatre review: Love Song To Lavender Menace, Lyceum Theatre Studio, Edinburgh
Love Song To Lavender Menace ****
Lyceum Theatre Studio, Edinburgh
Young Lewis, who works in the shop, can’t believe this isn’t the end of a rare moment of gay liberation; his friend Glen is more optimistic. And as they work through a long night to pack up the remaining books, they both act out the story of the bookshop’s origins (and its sci-fi and disco inspirations), and receive some strange hints of a future when full gay equality will at last become possible.
In a reminder of why the bookshop was so sorely needed, Ley’s two-hour play also includes a series of poignant monologues by an outwardly straight young Edinburgh man who gains strength just by walking past the Lavender Menace sign. And if director Ros Phillips and actors Pierce Reid and Matthew McVarish sometimes adopt a throwaway, diffident performance style that weakens the play’s pace and impact, this is still a play for our time that speaks volumes about cities and change, about the freedom they offer and the price they demand, and about those magic, unrepeatable moments when a social revolution is in the air, and some people find themselves at the living centre of it, in San Francisco, in London, or in a basement off Broughton Street, here in Edinburgh.